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A movie palace (or picture palace in the ) is a large, elaborately decorated built from the 1910s to the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opening every year between 1925 and 1930. With the rise of television in the 1950s, movie attendance dropped, while the rising popularity of large multiplex chains in the 1980s and 1990s signaled the obsolescence of single-screen theaters. Many movie palaces were razed or converted into multiple-screen venues or performing arts centers, though some have undergone restoration and reopened to the public as historic buildings.

There are three architectural design types of movie palaces: the classical-style movie palace, with opulent, luxurious architecture; the atmospheric theatre, which has an auditorium ceiling that resembles an open sky as a defining feature; and the theaters that became popular in the 1930s.


Background
Paid exhibition of motion pictures began on April 14, 1894, at Andrew M. Holland's phonograph store, located at 1155 Broadway in New York City, with the . Dropping a nickel in a machine allowed a viewer to see a short motion picture, devoid of plot. The machines were installed in Kinetoscope parlors, hotels, , bars and drugstores in large American cities. The machines were popular from 1894 to 1896, but by the turn of the century had almost disappeared as Americans rejected the solitary viewing experience and boring entertainment.Valentine, The Show Starts on the Sidewalk, 16.

Around 1900, motion pictures became a small part of theatres. The competitive vaudeville theatre market caused owners to constantly look for new entertainment, and the motion picture helped create demand, although the new form of entertainment was not the main draw for patrons. It was often used as a "chaser"—shown as the end of the performance to chase the audience from the theatre. These theatres were designed much like legitimate theatres. The Beaux-Arts architecture of these theatres was formal and ornate. They were not designed for motion pictures, but rather live stage performances.Valentine, The Show Starts on the Sidewalk, 16–19.

In 1902, the storefront theatre was born at Thomas Lincoln Tally's Electric Theatre in Los Angeles. These soon spread throughout the country as empty storefronts were equipped with chairs, a projector, a muslin sheet on which the motion picture was exhibited, darkened windows, and a box by the door to service as a ticket office (literally, the "box office"). Storefront theatres, supplied with motion pictures made in Chicago and New York, spread throughout America. These theatres exhibited a motion picture at a specific time during the day.Valentine, The Show Starts on the Sidewalk, 22–23.

Air domes also became popular in warm climates and in the summertime in northern climates. With no roof and only side walls or fences, the air domes allowed patrons to view motion pictures in a venue that was cooler than the stifling atmosphere of the storefront theatre.Valentine, The Show Starts on the Sidewalk, 23.

In 1905, the nickelodeon was born. Rather than exhibiting one program a night, the nickelodeon offered continuous motion picture entertainment for five cents. They were widely popular. By 1910, nickelodeons grossed $91 million in the United States. The nickelodeons were like simple storefront theatres, but differed in the continuous showings and the marketing to women and families.Valentine, The Show Starts on the Sidewalk, 23–30.

The movie house, in a building designed specifically for motion picture exhibition, was the last step before the movie palace. Comfort was paramount, with upholstered seating and climate controls. One of the first movie houses was Tally's Broadway Theater in Los Angeles.Valentine, The Show Starts on the Sidewalk, 30–38.


History
The movie palace was developed as the step beyond the small theaters of the 1900s and 1910s. As motion pictures developed as an art form, theatre infrastructure needed to change. Storefront theatres and nickelodeons catered to the busy work lives and limited budgets of the lower and middle classes. Motion pictures were generally only thought to be for the lower classes at that time as they were simple, short, and cost only five cents to attend. While the middle class regularly began to attend the nickelodeons by the early 1910s the upperclass continued to attend stage theater performances such as opera and big-time vaudeville. However, as more sophisticated, complex, and longer films featuring prominent stage actors were developed, the upperclass desires to attend the movies began to increase and a demand for higher class theaters began to develop. Nickelodeons could not meet this demand as the upperclass feared the moral repercussions of intermingling between women and children with immigrants. There were also real concerns over the physical safety of the nickelodeon theaters themselves as they were often cramped with little ventilation and the stock used at the time was extremely flammable.

The demand for an upscale film theater, suitable to exhibit films to the upperclass, was first met when the Regent Theater, designed by Thomas Lamb, was opened in February 1913, becoming the first ever movie palace. However the theater's location in Harlem prompted many to suggest that the theater be moved to Broadway alongside the stage theaters. These desires were satisfied when Lamb built the Strand Theatre on Broadway, which was opened in 1914 by Mitchel H. Mark at the cost of one million dollars. This opening was the first example of a success in drawing the upper middle class to the movies and it spurred others to follow suit. As their name implies movie palaces were advertised to, "make the average citizen feel like royalty." Architect George Rapp said of his Uptown Theater, "These are not impractical attempts at showing off. Here is a shrine to democracy where there are not privileged patrons. The weathy rub elbows with the poor -- and are the better for this contact." To accomplish this these theaters were outfitted with a plethora of amenities such as larger sitting areas, air conditioning, and even childcare services.

Between 1914 and 1922 over 4,000 movie palaces were opened. Notable pioneers of movies palaces include the firm of Rapp and Rapp, which designed the , Uptown, and Oriental Theatres. S.L. "Roxy" Rothafel, originated the deluxe presentation of films with themed stage shows. , built the first movie palace on the West Coast, Los Angeles' Million Dollar Theater, in 1918.


Decline
Following World War II, movie ticket sales began to rapidly decline due to the widespread adoption of television and of the population from the cities (where all the movie palaces had been built) into the suburbs. The closing of most movie palaces occurred after United States v. Paramount Pictures, Inc. in 1948, which ordered all of the major film studios to sell their theaters. Most of the newly independent theaters could not continue to operate on the low admissions sales of the time without the financial support of the major studios and were forced to close. Many were able to stay in business by converting to operate as or pornography theaters.

The for single-screen movie theaters (including movie palaces) arrived with the development of the multiplex in the 1980s and the megaplex in the 1990s.

(2025). 9780760314920, MBI Publishing Company. .
Some movie palaces were able to stay in business only by getting out of the way, at least with respect to the highest-grossing first-run films for which they were no longer viable exhibition venues. They became or specialized in showing .

By 2004, only about a quarter of U.S. movie theaters still had only one screen, and the average number of screens per theater was 6.1.

(2025). 9781401352004, Miramax Books. .


Design
Eberson specialized in the subgenre of "atmospheric" theatres. His first, of the 500 in his career, was the 1923 Majestic in Houston, Texas. The atmospherics usually conveyed the impression of sitting in an outdoor courtyard, surrounded by highly ornamented asymmetrical facades and exotic flora and fauna, underneath a dark blue canopy; when the lights went out, a specially designed projector, the Brenograph, was used to project clouds, and special celestial effects on the ceiling.

Lamb's style was initially based on the more traditional, "hardtop" form patterned on , but was no less ornate. His theaters evolved from relatively restrained neo-classic designs in the 1910s to those with elaborate baroque and Asian motifs in the late 1920s.

The movie palace's signature look was one of extravagant ornamentation. The theaters were often designed with an eclectic exoticism where a variety of referenced visual styles collided wildly with one another. French Baroque, High Gothic, Moroccan, Mediterranean, Spanish Gothic, Hindu, Babylonian, Aztec, Mayan, Orientalist, Italian Renaissance, and (after the discovery of 's tomb in 1922) Egyptian Revival were all variously mixed and matched. This wealth of ornament was not merely for aesthetic effect. It was meant to create a fantasy environment to attract moviegoers and involved a type of social engineering, distraction, and traffic management, meant to work on human bodies and minds in a specific way. Today, most of the surviving movie palaces operate as regular theaters, showcasing concerts, plays and operas.


List of movie palaces
This is a list of selected movie palaces, with location and year of construction.
+Table of Selected Movie Palaces
Akron Civic TheatreAkronOhio1929(formerly Loew's (Akron) Theatre)
BirminghamAlabama1927
Alameda TheatreAlamedaCalifornia1932
Albee TheaterCincinnatiOhio1927
GlendaleCalifornia1925
Arcada TheaterSt. CharlesIllinois1926
Arlington TheaterSanta BarbaraCalifornia1931
Kansas CityMissouri1927
Avalon Regal TheaterChicagoIllinois1927
Aztec TheatreSan AntonioTexas1926
PortlandOregon1927
TuscaloosaAlabama1938
ChicagoIllinois1914
PhiladelphiaPennsylvania1928
New BraunfelsTexas1942
Broadway TheatreMount PleasantMichigan1920
RichmondVirginia1928
California TheatreSan JoseCalifornia1927
The CapitolMelbourneAustralia1924
Capitol Cinema (Ottawa)OttawaOntario1920
Capitol Theatre (Rome)RomeNew York1928
Capitol Theatre (Porter Chester)Port ChesterNew York1926
Capitol TheatreVancouverBritish Columbia1921
Carlton CinemaLondonEngland1930
Carolina TheatreDurhamNorth Carolina1926
Carpenter TheaterRichmondVirginia1928
San FranciscoCalifornia1922
Carthay Circle TheatreLos AngelesCalifornia1926demolished 1969
LiverpoolEngland1930
ChicagoIllinois1921
Circle TheatreIndianapolisIndiana1916
ChicagoIllinois1926
Coolidge Corner TheatreBrooklineMassachusetts1933
RockfordIllinois1927
SacramentoCalifornia1912
Del Mar TheatreSanta CruzCalifornia1936
EdinburghScotland1938
Duke of York's Picture HouseBrightonEngland1910One of the UK's oldest continuously-running cinemas.
Egyptian Theatre (Boise)BoiseIdaho1927
Egyptian Theatre (DeKalb)DeKalbIllinois1929
El Capitan TheatreLos AngelesCalifornia1926
El Portal TheatreLos AngelesCalifornia1926
The Electric CinemaLondonEngland1910One of the UK's oldest continuously-running cinemas.
Elgin and Winter Garden TheatresTorontoOntario1913
Embassy Theatre (Fort Wayne)Fort WayneIndiana1928
Empire TheaterSellersburgIndiana1920s
Everyman Cinema, Muswell HillLondonEngland1935
Iowa CityIowa1912
FargoNorth Dakota1926
JacksonvilleFlorida1927
Fourth Avenue TheatreAnchorageAlaska1947
Fox Theatre (Atlanta)AtlantaGeorgia1929the only surviving movie palace in Atlanta
Fox Theatre (Bakersfield)BakersfieldCalifornia1930
Fox Theatre (Detroit)DetroitMichigan1928
Fox Theatre (Salinas)SalinasCalifornia1921
Fox Theatre (San Diego)San DiegoCalifornia1929now Jacobs Music Center
Fox Theatre (San Francisco)San FranciscoCalifornia1929
Fox Theater (Spokane)SpokaneWashington1931
Fox Theatre (St. Louis)St. LouisMissouri1929
Garde Arts CenterNew LondonConnecticut1926
EdmontonAlberta1940
Gateway TheatreChicagoIllinois1930
Gaumont StateLondonEngland1937
Golden State TheatreMontereyCalifornia1926
Granada TheatreSherbrookeQuebec1929
Granada, TootingLondonEngland1931
Grand Lake TheaterOaklandCalifornia1926
Grauman's Chinese TheatreLos AngelesCalifornia1927
Grauman's Egyptian TheatreLos AngelesCalifornia1922
Hammersmith ApolloLondonEngland1932
HonoluluHawaii1922
Hayden Orpheum Picture PalaceSydneyAustralia1935
Hollywood Pacific TheatreLos AngelesCalifornia1928
Indiana Theatre (Indianapolis)IndianapolisIndiana1933
Indiana Theatre (Terre Haute)Terre HauteIndiana1922
Imperial TheatreAugustaGeorgia1918
IronwoodMichigan1928
Jefferson TheatreBeaumontTexas1927
Jefferson TheaterCharlottesvilleVirginia1912
The Kensington CinemaLondonEngland1926(now Odeon)
LexingtonKentucky1922
Lafayette TheatreSuffernNew York1924
Landmark TheatreRichmondVirginia1926
Landmark TheatreSyracuseNew York1928(formerly Loew's State Theatre)
Santa FeNew Mexico1931
Loew's 175th Street TheaterNew York CityNew York1930
Loew's Grand TheatreAtlantaGeorgia1920s
Loew's Jersey TheatreJersey CityNew Jersey1929
Loew's Kings TheatreBrooklynNew York1929
Loew's Paradise TheatreThe BronxNew York1929
Loew's Penn TheatrePittsburghPennsylvania1927(now Heinz Hall)
Loew's State Palace TheatreNew OrleansLouisiana1926
Loew's State TheatreProvidenceRhode Island1928(now Providence Performing Arts Center)
Loew's State TheatreNorfolkVirginia1929now TCC Jeanne & George Roper Performing Arts Center
Loew's Tara CinemaAtlantaGeorgia1968now a multiplex; renamed the Lefont Tara years later
QueensNew York1929
Los Angeles TheatreLos AngelesCalifornia1931
Lorenzo TheatreSan LorenzoCalifornia1947currently owned by the Lorenzo Theatre Foundation.
SavannahGeorgia1921
PeoriaIllinois1920As of 2022, was in restoration by The Madison Preservation Association.
Mainstreet TheaterKansas CityMissouri1921(formerly the Empire and the RKO Missouri)
Majestic TheatreDallasTexas1921
Majestic TheatreSan AntonioTexas1929
Manchester ApolloManchesterEngland1938
Mark Strand TheatreNew York CityNew York1914
Martin's CineramaAtlantaGeorgia1962
Michigan TheaterAnn ArborMichigan1928
Michigan TheatreDetroitMichigan1926
Michigan TheatreMuskegonMichigan1929(now Frauenthal Theater)
AugustaGeorgia1940
Million Dollar TheaterLos AngelesCalifornia1918
Norwalk TheatreNorwalkOhio1941
North Park TheatreBuffaloNew York1920
Odeon Leicester SquareLondonEngland1937
Odeon CinemaManchesterEngland1930
PortsmouthEngland1936
Ohio TheatreColumbusOhio1928
Ohio TheatreClevelandOhio1921
Olympia TheatreMiamiFlorida1926
Oriental TheatreChicagoIllinois1926
Oriental TheatreMilwaukeeWisconsin1927
Orpheum TheatreSioux CityIowa1927
Orpheum TheatreMemphisTennessee1928
Orpheum TheatreVancouverBritish Columbia1927
Orpheum TheatreWichitaKansas1922
MontrealCanada1906(first Canadian theater dedicated to exclusively to showing movies)
WhitstableEngland1912
Palace TheatreSyracuseNew York1924
Palace TheatreAlbanyNew York1931
Palace Theatre (Marion)MarionOhio1928
Palace TheatreClevelandOhio1922
Palace Theatre (Canton)CantonOhio1926
Palace TheatreLorainOhio1928
Palace TheatreLouisvilleKentucky1928
Palace TheatreColumbusOhio1927
Pantages Theatre (Los Angeles)Los AngelesCalifornia1930
Pantages Theatre (Salt Lake City)Salt Lake CityUtah1918
Paramount Theatre, AbileneAbileneTexas1930
Paramount TheatreAuroraIllinois1931
Paramount Theatre (Mn)AustinMinnesota1929
Paramount Theatre (Tx)AustinTexas1915
Paramount Theatre (Cedar R)Cedar RapidsIowa1928
Paramount Theater (Denver)DenverColorado1930
Paramount TheatreKankakeeIllinois1931
Paramount TheatreLos AngelesCalifornia1923demolished 1960
Paramount TheatreOaklandCalifornia1931
Paramount TheatrePortlandOregon1928(now the Arlene Schnitzer Concert Hall, originally the Portland Theatre)
Paramount Theatre (Seattle)SeattleWashington1927
Paramount Theater (Springfield)SpringfieldMassachusetts1926(formerly known as Julia Sanderson Theater and The Hippodrome)
Peery's Egyptian TheatreOgdenUtah1924
Park RidgeIllinois1928
East FinchleyEngland1912One of the UK's oldest continuously-running cinemas.
Plaza CinemaPort TalbotWales1940
Plaza TheatreEl PasoTexas1930
Polk TheatreLakelandFlorida1928
Fox TheaterPomonaCalifornia1931
Princess TheatreEdmonton, AlbertaCanada1915
Quo Vadis Entertainment CenterWestlandMichigan1966
Radio City Music HallNew York CityNew York1932
Rahway TheatreRahwayNew Jersey1926(now the Union County Performing Arts Center)
DetroitMichigan1928
Regent TheatreMudgee (New South Wales)Australia1935
The RexBerkhamstedEngland1938
Rialto TheatreMontrealCanada1924
Rialto Square TheatreJolietIllinois1926
Ritz TheatreTiffinOhio1928
ChicagoIllinois1918
Riviera TheatreNorth TonawandaNew York1926
Rockingham TheatreReidsvilleNorth Carolina1929
San FranciscoCalifornia1909
Roxy TheatreNew York CityNew York1927
Roxy TheatreAtlantaGeorgia1926renamed the Roxy in 1938
Roxy TheatreSaskatoonSaskatchewan1930
Saenger TheatreMobileAlabama1927
Saenger TheatreNew OrleansLouisana1927
Saenger TheatrePensacolaFlorida1925
Saenger TheatreHattiesburgMississippi1929
BaltimoreMaryland1939
Shea's Performing Arts CenterBuffaloNew York1926
Snowdon TheatreMontrealCanada1937
Palo AltoCalifornia1925restored 1989
Stanley TheaterJersey CityNew Jersey1928(now an Assembly Hall of Jehovah's Witnesses)
Stanley TheaterPittsburghPennsylvania1928(now )
Stanley TheatreUticaNew York1928
Stanley TheatreVancouverBritish Columbia1930(now Stanley Industrial Alliance Stage)
State Cinema (now Focal Point Cinema & Cafe)HastingsNew Zealand1933
State TheaterClevelandOhio1921
State TheatreKalamazooMichigan1927
State TheatreWoodlandCalifornia1936
State Theatre Center for the ArtsUniontownPennsylvania1922
The Strand TheatreMariettaGeorgia1935
St. George TheatreStaten IslandNew York1929
TimișoaraRomania1938formerly the Thalia Cinema
Suffolk TheaterRiverheadNew York1933
Melbourne (Victoria)Australia1938
Sunnyvale TheaterSunnyvaleCalifornia1926formerly the New Strand Theater
TampaFlorida1926
Tennessee TheatreKnoxvilleTennessee1928
Tower TheatreSacramentoCalifornia1938
LondonEngland1933
United Artists TheatreLos AngelesCalifornia1927reopened in 2014 as part of the Ace Hotel
Uptown TheaterWashingtonD.C.1933
Uptown TheatreChicagoIllinois1925
Uptown TheaterMinneapolisMinnesota1913
Uptown TheatreToronto, OntarioCanada1920
Uptown TheatreUticaNew York1927
Varsity TheatrePalo AltoCalifornia1927
EvansvilleIndiana1921formerly the Loew's Victory
Virginia TheatreChampaignIllinois1921
Warner Grand TheatreSan Pedro/Los AngelesCalifornia1931
Warner TheatreEriePennsylvania1931
Warner TheatreYoungstownOhio1931(now Powers Auditorium)
FresnoCalifornia1928
AnacondaMontana1931
FrederickMaryland1926(formerly the Tivoli Theatre)
Beverly HillsCalifornia1930
Los AngelesCalifornia1930

See also


Notes

Citations
  • Valentine, Maggie. The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre, Starring S. Charles Lee. New Haven, Connecticut: Yale University Press, 1994.


External links

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